Sarah Reports on The Transatlantic Pride Art Exhibition!
The Annual Transatlantic Pride Art Exhibition, June 21st, 2012
Clifford Chance, New York, NY
by Sarah Nakano
Last Thursday night, Clifford Chance, a law firm in midtown, had an opening reception for their in-office exhibit “Annual Pride Art Exhibition-New York,” featuring 5 portraits of We are the Youth participants. This opening reception gave me the opportunity to see lots of cool art (Cass Bird, Peter Hujar, Elizabeth Bethea, Tee A. Corinne, etc), drink Coca Cola out of a fancy glass, and also witness the wisdom of Jonathan D. Katz.
Before the reception, Katz spoke about specific “queer artworks” and explored the context and details of each piece. Katz was the first tenured faculty in gay and lesbian studies in the U.S, founder of the Harvey Milk Institute, chair of the Department of Lesbian and Gay studies at the City College of San Francisco, co-founder of Queer Nation SF, and is the co-curator of the exhibit ‘HIDE / SEEK’. Basically he’s a certified genius and he’s the king of the middle of
the venn diagram: QUEER and ART.
In my opinion the most interesting idea he talked about was the future of “Queer Art.” What is contemporary queer art, where is it headed, what will it look like in the future? From what I understood, he thinks that as LGBTQ issues + people become more widely accepted, queer art will start to focus more on universal themes like love, loss, etc. I was incredibly impressed with Katz’s insights and how incredibly informed he was. What a badass. You can check out his essays, writings, and resume here.
Overall it was a rewarding experience and it was so cool to see Magda, Trevor, Braxton, Isaac, and Patrick chillin on the wall alongside other queer art.
My mom said, “All artists are male and female. To be an artist you have to be psychologically hermaphrodite.” I don’t know if I agree with that. A lot of artists are really boring. I don’t necessarily think everyone who painted a ceramic mug on Etsy is a hermaphrodite.
But I really just want to use myself in my work.When I came to New York for my freshman year of college, I knew I wanted to do drag. In my early performances I played banjo. All the other drag kings were trying to be the cute boy, and I was the creepy uncle. I was more like Pete Seeger than ‘N Sync.
It’s great being in New York, just being able to be in drag and not get questioned. There’s so much freedom in being anonymous. There are times when I want to be passing as a guy, and times where I want to stop people a bit and slow ‘em down.